No doubt it has always been that way. As soon as a fact is narrated no longer with a view to acting directly on reality but intransitively, that is to say,

finally outside of any function other than that of the very practice of the symbol itself, this disconnection occurs, the voice loses its origin, the author enters into his own death, writing begins.

No doubt it has always been that way. As soon as a fact is narrated no longer with a view to acting directly on reality but intransitively,

The author still reigns in histories of literature, biographies of writers, interviews, magazines, as in the very c

We shall never know, for the good reason that writing is the destruction of every

Yet this destination cannot any longer be personal: the reader is without history, biography, psychology; he is simply that someone who holds together in a single field all the traces by which the written text is

Thus is revealed the total existence of writing: a text is made of multiple writings, drawn from many cultures and entering into mutual relations of dialogue, parody, contestation, but there is

his prose works be militated in favour of the essentially verbal condition of literature, in the face of which all recourse to the writer's inferiority seemed to him pure superstition

 Valery, encumbered by a psychology of the Ego, considerably diluted Mallarme's theory but, his taste for classicism leading him to turn to the lessons of rhetoric, he never stopped calling into question and deriding the Author

entrusting the hand with the task of writing as quickly as possible what the head itself is unaware of (automatic writing), by accepting the principle and the experience of several people writing togetheR

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